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| BIOGRAPHY It all started when Tennessee's father Ferris Wendel Norton Jr. brought the 8mm Bell & Howell camera with the single frame "Animation" button home. By his teens Tennessee had created films staring fighting action figures, pixalated relatives, and superhero neighborhood kids. His first animations were self taught using Kit Laybourne's The Animation Book: A Complete Guide to Animated Filmmaking as a textbook. Heading west Tennessee focused on practical theory and application of filmmaking at The City College of San Francisco before beginning his professional animation career on Tim Burton’s The Nightmare Before Christmas, which subsequently landed him the role of a principal animator on ABC'S Bump in the Night. During this period, he also produced and directed several of his own films, including the award winning festival favorite stop-motion short, The Lizard Whomper & If I Had a Hammer. In an amazing twist of fate Tennessee had the pleasure of being included in the new updated edition of The Animation Book by Kit Laybourne - the same book where he first learned his craft. Spring of 2004 Tennessee was the Animation Director of Facing that Void, a stop-motion animation / marionette music video for the French hip hop band The General Electrics. In Spring 2005 Tennessee was Animation Director on a stop-motion animated concept music video for XOW! Studios - Not a BECK Music Video, which was premiered at ComicCon 05. In Fall 2005 Tennessee also began animating for Shadow Animation & Fragical Productions on Dino Stamatopoulos' Moral Orel and Seth Greene's Robot Chicken for Cartoon Network's Adult Swim, where he continues to provide his animation and puppet fabrication skills. During 2006 Tennessee animated and fabricated on several projects including on the My Name is Earl episode Robbed a Stoner Blind, a commercial for HGTV's show BUY ME, and a live action / stop-motion animated Music Video for the Norah Jones song Sinkin’ Soon from the album Not To Late. Tennessee resides in Hollywood and has a number of live-action and animated projects in development. His dual experience in live action and animation, in combination with his deep technical expertise, results in a uniquely postmodern storytelling sensibility well suited for many mediums. Plus he smells really good... |
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